Dick's Paranoid Criticism

"My books are forgeries. Nobody wrote them." -Philip K. Dick, Exegesis (quoted in Umland, p.19)

The Dark Counterplayer

During my enormous revelations and anamnesis in March 1974 I perceptually observed God and reality combined, and progressing through stages of evolution by means of a dialectic, but I did not experience what I called "the blind counterplayer," which is to say the dark side as part of God. However, although I perceived this dialectic between good and evil, I could not ascertain anything as to the source of the evil. However, I did see the good side making use of it against its will, since the dark counterplayer was blind and therefore could be made use of for good purposes.
How to Build a Universe that Doesn't Fall Apart Two Days Later."
-Philip K. Dick, 1978

Dick on God's Infinite Void Game

"God manifested himself to me as the infinite void; but it was not the abyss; it was the vault of heaven, with blue sky and wisps of white clouds. He was not some foreign God but the God of my fathers. He was loving and kind and he had personality. He said, 'You suffer a little now in life, it is little compared with the great joys, the bliss that awaits you. Do you think I in my theodicy would allow you to suffer greatly in proportion to your reward?' He made me aware, then, of the bliss that would come; it was infinite and sweet. He said, 'I am the infinite. I will show you. Where I am, infinity is; where infinity is, there I am. Construct lines of reasoning by which to understand your experience in 1974. I will enter the field against their shifting nature. You think they are logical but they are not; they are infinitely creative.'

"I thought a thought and then an infinite regression of theses and countertheses came into being. God said, 'Here I am, here is infinity.' I thought another explanation; again an infinite series of thoughts split off in a dialectical antithetical interaction. God said, 'Here is infinity; here I am.' I thought, then, an infinite number of explanations, in succession, that explained 2-3-74; each single one of them yielded up an infinite progression of flipflops, of thesis and antithesis, forever. Each time, God said 'Here is infinity. Here, then, I am.' I tried for an infinite number of times; each time and infinite regress was set off and each time God said, 'Infinity. Hence I am here.' Then he said, 'Every thought leads to infinity, does it not? Find one that doesn’t.' I tried forever. All led to an infinitude of regress, of the dialectic, of thesis, antithesis and new synthesis. Each time, God said 'Here is infinity; here am I. Try again.' I tried forever. Always it ended with God saying, 'Infinity and myself, I am here.'" (Exegesis -- November 17, 1980)

And a bonus quote from Valis:

"A lot can be said for the infinite mercies of God, but the smarts of a good pharmacist, when you get down to it, is worth more."

Philip K. Dick on Dante's Three-Level Cosmos

180
I wish to laminate my two SF ideas together to form one ultra-complex novel...
(one) ...there exists a double-psyche entity (that is, one body and two minds, one of the minds being human; the other is an alien entity). Each psyche sees the world quite differently from the other.
(two) Three coaxial worlds generated by a computer (my more recent idea) with a switching back and forth between these three worlds, which represent the three levels of Dante's COMMEDIA

My fusion of the above will be as follows: the human psyche sees the middle realm, Purgatorio. The alien psyche, perceiving reality, perceives Inferno. However, when the two psyches combine (into what I call Ditheon, a two-chambered ultra-mind), together as a single entity they see Paradiso. The crucial element that the computer supplies is that it has the power to switch this two-psyche entity from left (human) to right (alien) to combined (Ditheon). The creature is under its control and therefore cannot on its own select which world it experiences; that is, it cannot control its left-right balance nor on its own

181
In this novel, "God known as he is" is of course the computer known as it is... For literally decades I construed two levels of mental functioning: android (i.e. machine) and human; but now I perceive a third, higher level, and, as I say, I equate the world of each as equal to a level of Dante's CoOMMEDIA.

Three kinds of minds; three levels--ascending levels--of reality. This to me is terribly exciting. A very coherent novel is forming out of all this, and this is based in turn on my life's work in defining the authentic human.

The Selected Letters of Philip K. Dick, 1980-1982

Quote from Humpty Dumpty in Oakland

"He brought colour, shape, awareness to the void. Darkness flew; and after the first moment of activity he subsided and rested, and took his seventh day - a cup of coffee."
pulled from The Project

spurious realities...what is real

“…today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups—and the electronic hardware exists by which to deliver these pseudo-worlds right into the heads of the reader, the viewer, the listener. Sometimes when I watch my eleven-year-old daughter watch TV, I wonder what she is being taught. The problem of miscuing; consider that. A TV program produced for adults is viewed by a small child. Half of what is said and done in the TV drama is probably misunderstood by the child. Maybe it’s all misunderstood. And the thing is, Just how authentic is the information anyhow, even if the child correctly understood it? What is the relationship between the average TV situation comedy to reality? What about the cop shows? Cars are continually swerving out of control, crashing, and catching fire. The police are always good and they always win. Do not ignore that point: The police always win. What a lesson that is. You should not fight authority, and even if you do, you will lose. The message here is, Be passive. And—cooperate. If Officer Baretta asks you for information, give it to him, because Officer Beratta is a good man and to be trusted. He loves you, and you should love him.

So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing. It is my job to create universes, as the basis of one novel after another. And I have to build them in such a way that they do not fall apart two days later. Or at least that is what my editors hope. However, I will reveal a secret to you: I like to build universes which do fall apart. I like to see them come unglued, and I like to see how the characters in the novels cope with this problem. I have a secret love of chaos. There should be more of it. Do not believe—and I am dead serious when I say this—do not assume that order and stability are always good, in a society or in a universe. The old, the ossified, must always give way to new life and the birth of new things. Before the new things can be born the old must perish. This is a dangerous realization, because it tells us that we must eventually part with much of what is familiar to us. And that hurts. But that is part of the script of life. Unless we can psychologically accommodate change, we ourselves begin to die, inwardly. What I am saying is that objects, customs, habits, and ways of life must perish so that the authentic human being can live. And it is the authentic human being who matters most, the viable, elastic organism which can bounce back, absorb, and deal with the new.”
(don't have the reference handy/grabbed it online)

Criticism of McKee from Rossi's review

Rossi's criticisms of McKee (from his SFS review of "Pink Beams")

”I agree with him when he claims that “it is both a mistake and a disservice to the right variety of Dick’s religious ideas to describe his entire experience and process of interpretation ... with a single categorical designation” (29), that is, Gnosticism. But why then should we describe Dick’s body of work with the single categorical designation of “Christian”? And why should we necessarily define a center in a writer who so stubbornly and passionately challenges our notions of center and periphery, and who is definitely not (as McKee acknowledges) a systematic thinker? A system necessarily implies the demarcation of center and periphery. We are dealing with the products of a restless man who declared himself to be both “Fascistic” and Marxist (Dick, In Pursuit of Valis, Publishers’ Group West, 1991:140, 175 ). McKee is persuasive when he spots, here and elsewhere in the book, the heterogeneous threads of Dick’s intellectual texture; he is not so persuasive when he argues that the texture shows a single coherent image.
...
even if considered on a purely theological basis, McKee’s monograph is marred by a defect that, while not nullifying the value of the book, nevertheless bars what could be the most stimulating development of his discussion. He maintains that “Dick himself never rejected religious interpretations of his writing, and seems to have thought such interpretations more valuable than more secular, political analyses” (26). While Dick’s theological side is important to his writing—and McKee proves that it is—doesn’t it have a political component as well?... are not Dick’s theological speculations a reflection on a fallen condition that is also a political condition? The Black Iron Prison, the Demiurge, Satan, if you prefer, are ways to reflect theologically on a personal crisis ... but also to reflect on an historical moment (the repression of the counterculture of the 1960s, Nixon, Watergate, etc.)... Dick never completely abandoned secular, political concerns, and that his theological speculations should always be analyzed within their historical and political contexts. Even the 2-3-74 experience, the starting point of McKee’s discussion, can be envisioned (like many Biblical prophecies) as having a strong political component that cannot be totally obliterated by any ecstatic mysticism, no matter how huge a dose of it is present...
In fact, we should not forget that part of that purportedly mystical and religious experience was Dick’s overwhelming feeling of having actually lived in first-century Rome at the zenith of the Roman Empire (3). Could not the vision of imperial Rome and early Christian communities be a quasi-Blakean vision of contemporary political concerns about the American Empire? Obviously, we cannot reduce Dick’s theology to politics alone, yet we cannot dismiss it either. McKee seems to have done just this, and that is probably the major defect of his otherwise commendable analysis.